'Paul Merton's Birth of Hollywood' Review: because cinema deserves a history lesson

Paul Merton's Birth of Hollywood (BBC2, Friday 27th May 2011)

Starring: Paul Merton

Genre: Factual, arts, culture and the media

Paul Merton travels to America to explore and chart the birth of the most dominant cinematic power: Hollywood. He sets out to discover how the early movie technology, the people flooding to American shores and field after field of orange groves evolved into the star-studded community and billion-dollar industry of today. If you love going to our modern cinemas, why not immerse yourself in the history of how they came to be? Paul Merton's is a documentary complete with clips of the racist masterpiece that helped to re-establish the Klu Klux Klan and cheeky snippets of our beloved Charlie Chaplin.

For those with a taste for movies, many may have already studied the history of the moving image. Many of us, it remains to be said, will have not - Merton to the rescue. Cinema is an incredible art form that has advanced at colossal speed in the space of just one hundred years. It has developed from the haphazard silent wonders of The Great Train Robbery (1903) to the dazzling 3D spectacle of James Cameron's Avatar (2009). From the somewhat restrictive Kinetiscope, the first technology that enabled a person to look into its box and see a short film, cinema has become one of the most beloved and accessible arts of the modern age.

In this documentary, Paul Merton has selected the best of early cinema to explore and explain the transformation of a small Southern American hamlet into the iconic location of Hollywood. Intrigued by how a prolific orange-growing community could become the place-to-be for aspiring film-workers, Merton looks at the people responsible for its modern status. His often-cheeky approach to the old greats (let's face it, those jerky old films might have been impressive in their day but a man wrestling a dead bird is only ever going to be funny) celebrates the men and women behind and in front of the early cameras.

Thanks to the devastation of the First World War, the Europeans (the leaders in the development of early cinema) were prevented from going any further with their cinematic ambitions in the first part of the twentieth century. This made room for the Americans to lay the foundations for future of film. As it turned out, many of the most prominent figures were immigrants having left Europe to escape persecution and poverty. Paul Merton looks into their lives and careers and reveals to us how the roles of the director, cameraman, actor and producer began to take shape. This is a great documentary with access to an array of early footage that is as much a delight to watch now as I'm sure it was then. The bonus is, we don't have to sit through the initial three hours of ham-acting and brick fights to get to the best bits - Merton's done it for us.

Catch the next episode of 'Paul Merton's Birth of Hollywood' next Friday at 9:30pm.

Moving on up!

In the words of 90s sensation, M People - I'm movin' on up (in the world). I've been allowed to put pen to paper for another lovely blog - Best for Film (www.bestforfilm.com). Not only that, but they've now decided to put my ugly mug on there too. If you fancy taking a peak, the link is here:

http://bestforfilm.com/community/about-us/siobhan-burke/

I'm on page 2 of their community section - I think that's just about the best place to be. Well, it's better than being stuck on page 7 anyway. Click there to see some of my more recent reviews - including something involving Nick Clegg and a superhero gang (you know it'll be good).

They have lots of other cracking reviews and top notch film news stuff, so check em' out.

Top 10 things in film that you wish your eyes had never seen

So we all know some films are built to give us the heebie-geebies and some just make us laugh trying. But how many are there that have done it so damn well we’ve cried into our pillows a big slobbery mess? Some just touch a nerve and others damn well grab it, rip it out and floss with it in front of us. Let’s examine such masterpieces of cinematic goosepimply goodness – be warned, as the title of this article suggests, in reading this you risk psychological and physical disturbance of the highest order. Oh, and there may well be spoilers.

10 – That nose-smashing stunt in Pan’s Labyrinth

Written and directed by Mexican film-maker Guillermo del Toro, Pan’s Labyrinth was a gem of fantastical weirdness. It might have fairies and fauns in it but this is anything but a fairytale. Interweaving the real world with some really messed up critters, main girl Ofelia (Ivana Baquero) has to complete three tasks to prove herself a princess. In the midst of all this is her evil stepfather (that’s right patriarchs, evil stepfather in this one – deal with it) who one night stumbles across two farmers lurking about his land. Naturally he beats one in the face with a bottle – a few swift downwards motions and the nose will apparently completely collapse in on itself. Lovely job.

9 – The eye-melting in Resident Evil

So it might be based on one of those new-fangled video game malarkies – personally I’m still trying to complete Sonic the Hedgehog on Sega Mega Drive – but Resident Evil (the film) had many moments that made me go a bit gooey inside. And not the good kind. Top of the list is the moment when the man with possibly the uncoolest name in showbiz – Colin Salmon – gets lasered to oblivion. His name is much cooler in the movie – a guy called ‘One’ is surely not to be messed with – but that laser just don’t care who’s hip and who ain’t. Eye-slicing laser: one. One: nil.

8 – Lawrence sawing off his own foot in ... well, Saw

Ok, so you could have picked just about any moment from one of the Jigsaw’s games for this one, but let’s go with the original shall we? Before the franchise got so ridiculously out-of-hand that the producers deserve to play the game themselves. I for one am very attached to my limbs, both physically and emotionally, and anyone with the will and ability to chop off one of their valuable appendages is pretty bloody mad. Nevertheless, Lawrence (Cary Elwes) with his foot chained to the wall of a bathroom, suddenly fears for the lives of his wife and daughter and finds himself succumbing to the Jigsaw’s mind games. The image of him crawling his way to the door still haunts me. If there’s one thing I’ve learnt from him and Aron Ralston, it’s that young children motivate you to get hacking. Lesson: don’t have kids. Or even think about having them. Especially in canyons and bathrooms.

7 – Two-Face in The Dark Knight

Ok, so we all wanted to wipe the smile off Harvey Dent’s (Aaron Eckhart) oh so perfect smug little face, but none of us actually wanted to wipe off his face. Nevertheless, the powers that be dictate that he must be disfigured and that he must become Two-Face. Possessing that lovely burned quality, his eye remains (in a way that defies all laws of physics) intact. And it’s that freaky bulging eyeball that makes me squirm every time. Someone get this guy a patch.

6 – James McAvoy being hung à la pig in the back of a butcher’s van in The Last King of Scotland

Now, why anyone would want to punish a face so cheekily Scottish is beyond me, but Idi Amin was a nasty bloke and so James McAvoy’s Nicholas Garrigan must suffer. When Garrigan travels to Uganda to do good with his newly acquired medical degree, he finds himself taking a job as personal physician to dictator Amin. Safe to say, he does more bad than good and gets a lesson in tribal African culture when he is hung, by his chest, with rusty meat hooks and hoisted up to the ceiling. Yum.

5 – Harry’s heroin fix in Requiem for a Dream

The first of two films from Darren Aronofsky to hit this list, this is definitely not one to see with your mum. Not only will your own mind be scarred for life, but your mother’s opinion of you surely will be as well – especially after you convinced her it was an intellectually stimulating film about the unfortunate products of addiction. The moment where Harry, desperate for his next fix, injects heroin into his gangrenous arm is sure to finish off anyone with a weak stomach – which reminds me, it might be as well not to eat lunch whilst reading this.

4 – The girl in The Grudge

Need I say more? The eyes, the noise, the crawling down the stairs and frightening the living bajesus out of everyone – this girl almost destroyed the very fabric of my being. American remake of Japanese film Ju-On: The Grudge, this version stars Sarah Michelle Gellar as Karen Davis, who inadvertently finds herself wrapped up in a horrific curse. Let’s face it, we all could have done without this one on a dark winter’s night – but at least it provides a pretty easy dressing up option for Halloween.

3 – Natalie Portman’s skin-peeling antics in Black Swan

A more recent one to add to the bank, Natalie Portman’s Oscar-winning role as Nina in Darren Aronofsky’s Black Swan gave us appropriate swan-pimples. As if one unfathomable mind-bending moment wasn’t enough, this film gave us many, all equally as gross and brain-churning as the last – with the added bonus of a couple of lesbian encounters thrown in for good measure. However, the crowning glory was that deliciously grim skin-peeling trick she performed on her middle finger. With her teeth. Cue squeamish howls resonating round the cinema.

2 – The shower scene in Psycho

All hail Hitchcock for laying the foundations of fear in the cinema. Iconic sixties magnum opus, the master of suspense instilled the there’s-something-behind-the-curtain-aphobia in almost every film fan in the world – and that’s fact. Shot entirely in black and white, the silent approach of the shadowy figure on the other side of the shower curtain was the simplest and the greatest way to have you hiding behind the sofa. One of the best moments in heebie-geebie history.

1 – Spike’s bum in Notting Hill

I’m just kidding. Everyone knows we wanted to see those buns – ‘Nice. Firm. Buttocks.’

Care to slap us in the face with some more psychologically skull-bashing, spine-tingling, stomach-churning greatness? Let us know and share your nightmares with the world.

Review of '127 Hours': The most fun you can have with your clothes on

127 Hours (2010)

Directed by Danny Boyle

Starring James Franco, Amber Tamblyn, Kate Mara

Intense, gripping and just downright exciting - 127 Hours is the latest big screen venture by Danny Boyle, our much-loved, award-winning and cherished British director. Based on Between a Rock and a Hard Place, the biographical writings of American, Aron Ralston, this movie attempts to capture the horror of Ralston's famous accident. A keen mountaineer and general adrenaline junkie, Aron (James Franco) heads off to the Bluejohn Canyon on a typical adventure weekend. After a sudden fall, his arm becomes lodged beneath a boulder and Ralston has to fight for escape. Over 5 days Aron has to resist 'losing it' - rapidly running out of food, water and motivation this man has to rely on his lust for life to survive the terrifying ordeal. Oh, and he cuts off his own arm.

The opening of this film is brilliant. A Free Blood track explodes onto the screen with the vivacity and energy of Ralston's own character. The screen buzzes with modern city scenes, inescapable busyness - all the better for highlighting Aron's solitude, my dear, and the vast, awesome expanse of uninhabited canyon land that our man will eventually find himself trapped in. Lovely set up. We're kept on edge waiting for the crucial boulder moment - he trips, he slips but it's a little while before the fatal moment comes.

Franco's performance is incredible. It's one thing to have to hold a film almost entirely on your own, it's another to do that whilst you're stuck in a canyon with only one arm free. Aron's video camera allows him to revisit the regrets of his past, leaving tributes to the friends and family that he becomes prepared to leave behind. Franco beautifully delivers the frustration and desperation of Ralston's character - even though he is trapped, he is electrifying to watch. Ralston himself said in an interview, 'we have these very fundamental desires for freedom, for love and for connection. And that's what got me out.' And it's those fundamental desires that are impeccably communicated by James Franco.

Of course, we have to mention the fantastic show that is Ralston amputating his own arm. The pain and the determination are accompanied by an incredible score by A. R. Rahman that make it unsettling but not gruesome to watch. While you might find the uncontrollable urge to look away, you probably won't. We're with Ralston to the end, that means seeing the whole thing through - even if it makes you feel a little queasy.

I love this movie and it's a shame that Franco and Boyle have to live in the spectacular shadow of The King's Speech. Don't get me wrong, I loved Tom Hooper's movie as much as the next man, and I certainly harbor a more than unhealthy love for Colin Firth. However, I find myself sitting in Camp Franco for the Lead Actor Oscar and hope the film scoops some recognition at the awards. If you haven't seen this film already and you're looking for a thrill (well, the closest you can come without endangering your own right arm) then make a date with 127 Hours.

Please comment if you have anything to add to this review of '127 Hours'.

As it's February...

... why not come up with a new idea? Yeah, I know that's not really a popular saying or even anything that might have been said before but as it's the beginning of the month(ish), I thought I'd start something afresh.

So, whilst having a leisurely chat with my friends the other day, I realised there are some fundamental movie-geek films that seem to have unwittingly passed me by. Don't panic - I've seen Star Wars. Things like The Godfather and The Italian Job - those movies that everyone quotes incessantly and that have become ingrained into our consciousness so deeply that they might as well be a part of us. I almost feel like I have seen them. But I haven't. And this must be fixed.

Here I vow each week henceforth to pick up and watch an iconic movie that I should have already seen. I'm not just gonna stick to the old codgers of the past, in fact I'm going to start with something from last year: A Single Man.

Directed by Tom Ford, A Single Man stars man-of-the-moment Colin Firth as British college professor, George Falconer. Yes, he's called George in this one too! A dark tale of a man haunted by the death of his soulmate, this film was tipped for all sorts of awards with Firth putting in an Oscar-worthy performance. Unfortunately, he was beaten - but he did win the BAFTA for Best Actor for this role so it can't be all bad. Described by Empire as 'a potent cocktail of style and substance' this was clearly a foolish film to have missed.

Excuse me while I add this notch to my cinematic bedpost.

'Kidnap and Ransom' TV Review: Reportedly Trevor Eve's baby

Kidnap and Ransom (ITV1, Thursday 13th January 2011)

Starring: Trevor Eve, Emma Fielding, Helen Baxendale

Genre: Crime drama

Trevor Eve stars as professional hostage negotiator Dominic King in ITV's latest crime drama, Kidnap and Ransom. When a botanist gets taken hostage whilst on a trip to South Africa, Dom heads out to deal with it the way he always does. However, it soon becomes clear that this is no ordinary hostage situation, and if the woman is to be brought home alive Dom is going to have to seriously rethink his tactics. Explosive, fast-paced and with more twists and turns than a country lane, this is set only to get bigger and better in the next two episodes.

The acting is fantastic in this show. Eve is wonderfully dark and brooding, but in a soft, silent and controlled way. He's the family man facing that tricky dilemma of having to choose between the home and the job. Not that tricky for some but Dom is obviously drawn in and driven by the psychological thrill of working with the hostage takers - cue LOTS of chess imagery. The script is concise but buried within it are the unanswered questions needed to take us for a ride - be prepared for those aforementioned twists.

The first project for Eve's production company, Projector Pictures (in partnership with TalkbackTHAMES), it's a pretty exciting little début. The next episode airs Thursday 20th January, 9pm on ITV1 and I for one hope the strength of the first episode continues - I have so much faith that I think it'll be even better.

Please comment if you have anything to add to this review of 'Kidnap and Ransom'.

'The King's Speech' Review: Oscar-tipped, hugely anticipated, a big deal

The King's Speech (2010)

Director: Tom Hooper

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter

Haven't heard about The King's Speech? Well, unless you've been hiding under a rock for the last few weeks, of course you have. From the Oscar-worthy performance of Colin Firth to the touching delicacy of Tom Hooper's direction, The King's Speech is just about the most talked-about film of the moment. The story of King George VI as he tries desperately to overcome a crippling speech impediment, it might not seem like the most likely tale for a blockbuster movie. But this is one film certainly worthy of its regal hype.

The scene is the late 1920s and King George V is on the throne. However, second son Bertie (Colin Firth) and his wife, Elizabeth (Helena Bonham Carter), Duke and Duchess of York, are fully in the public eye doing all things Royal. However, thanks to Bertie's painfully bad stammer, public speaking is a nightmare for both him and his audience. Determined to cure him, Elizabeth approaches Lionel Logue (Geoffrey Rush), a less than orthodox speech therapist and from the moment he meets the Prince, so begins an odd, often turbulent, relationship. Soon to be a loving friendship.

Hooper kick-starts the film with a disastrously embarrassing speech from Prince Albert - struggling to get through the first sentence, it's like watching a child at their first nativity forget the one line they spent weeks learning ('No room at the inn' - obviously). It's heartbreaking and you're instantly on the side of team supreme, willing Bertie to get out his words. Nevertheless, the humour card is also played pretty swiftly in a scene involving Colin Firth with balls in his mouth - priceless. The film continues along these same lines, mixing emotional frustration with some good old fashioned one-liners - no mean feat when you consider our hero takes that bit longer to get to the punchline.

Firth, as predicted, gives us the performance of his career. Maintaining a regal strength and willingness to overcome the obstacle, there's also the ordinary human frustration, the lack of self-esteem, the loving family man and the prince fearful of looming responsibility. Bertie's brother, David (Guy Pearce) is a sort of mini-villain (ish) in that he seems determined to shunt Kingship onto his younger brother just so he can marry twice-divorced American, Wallis Simpson (Eve Best). But Bonham Carter's Elizabeth is the perfect proverbial rock to the stumbling Bertie.

Bonham Carter and Rush carry much of the film's humour. Bonham Carter's timing is impeccable and that well-to-do accent has never suited a character so well. Rush's Lionel Logue is warm and loveable and anyone who can make a royal swear so elegantly has a glorious thumbs up from me. Of course with the abdication of Edward VIII, comes the realisation of Bertie's horrors and some of the more moving scenes of the film follow as we get ever closer to Bertie's coronation as King George VI.

Since seeing the love for this film at the BFI London Film Festival in October, this has been on everyone's cinema wish list. Beautiful, sensitive and heart-warming, rooting for a royal has never been more fun in a story so wonderfully depicted. For Firth's performance, for Hooper's elegance and for all round great British drama, this is an easy 5 stars. Lovely.

Please comment if you have anything to add to this review of 'The King's Speech'.