Showing posts with label Faulks. Show all posts
Showing posts with label Faulks. Show all posts

Monday, 27 July 2009

A Definite Don't-Read

Charlotte Gray - Sebastian Faulks

Why? Why? Why did I read this book? It's taken me about a month or so to get through it purely because I had no motivation to get to the end. And, exactly as I expected, I gained nothing from actually getting to the 497th page.

This book supposedly follows the epic 'odessey' of Charlotte Gray, a Scottish girl sent on an errand in occupied France for an under-cover agency. It is the peak of World War Two, and Charlotte is not only on a mission on behalf of the allies, she is also on her own mission to find her lover, Peter Gregory, a pilot missing in action.

There are many things wrong with this book. The most prominent is the number of characters - there are so many that a) you can't remember who each of them are b) you don't care enough about the outcome of any of their lives and c) even by the end of the book , even Charlotte seems to have a forgotten about half of them.

The second thing that wound me up is the lack of action. This novel is the journey of one woman but really, it's just about her survival, her ordinary day-to-day life, which in a fictional novel tends to wear on you a bit. After all, I don't read a book to satisfy my need for the mundane. Yes, it's about WWII and yes, she undercover in France. There is, of course, a sub-plot following three jews who are taken into the extreme and awful conditions and in theory it seems disrespectful to find the story uninteresting. However, there really is nothing exceptional about these particular sub-plots and because the characters are so undeveloped, sympathy for them specifically is limited.

Finally, there is just so much of this book. So many long, long pages of Faulks' style - journalistic, unemotional writing. Even where there is potential for excitement (a suppressed childhood memory that led to Charlotte's teenage depression, Charlotte nearly exposing herself at the public baths) it is completely brushed over and ignored as the author moves onto another sub-plot soon to be forgotten.

I know I'm being very negative about this novel but I really couldn't justify anything positive. Not only was I dissatisfied at the end but I was dissatisfied and frustrated throughout the entire book. I made no connection to any character, including the eponymous protagonist and I guess I just got nothing from Charlotte Gray whatsoever. I was bored, and this review is the only good (?) thing to have come from reading this one. Sorry Faulks.

Please comment if you have anything to add to this review of 'Charlotte Gray'.

Tuesday, 25 December 2007

My Stocking Fillers

Firstly, Happy Christmas to you all!

I hope you're having a wonderful day, but I thought I'd interrupt it by sharing with you a few of my stocking fillers, in the field of literature.

On Chesil Beach, Ian McEwan

It is July 1962. Edward and Florence, young innocents married that morning, arrive at a hotel on the Dorset Coast. At dinner in their rooms they struggle to suppress their private fears of the wedding night to come...

This book, shortlisted for the Man Booker Prize this year, was given to me by my lovely Auntie Jacqui and her partner, Mike. It didn't win the prize but nevertheless, the novel has been well praised. It is a short novel so hopefully I will be back soon to give you some feedback on its good and - perhaps - bad points.

The Gathering, Anne Enright

The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968. His sister Veronica was there then, as she is now: keeping the dead man company, just for another little while.

Now, this one did win the Man Booker Prize, so you've probably heard of it. Enright was also in the papers around the time the prize was awarded for writing an essay that criticised the McCanns. My Grandma and Grandad bought it for me and I'm sure it will live up to its award-winning status.

Engleby, Sebastian Faulks

Mike Engleby says things that others dare not think.

Another present from my grandparents, this is something apparently "unlike anything he has written before", but since reading Birdsong, I've been a bit of a fan of Faulks. I haven't read any reviews, but it has been recommended to me by a teacher - let's hope it doesn't disappoint.

Suite Française, Irène Némirovsky

In 1941, Irène Némirovsky sat down to write a book that would convey the magnitude of what she was living through by evoking the domestic lives and personal trials of the ordinary citizens of France. Némirovsky's death in Auschwitz in 1942 prevented her from seeing the day, sixty-five years later, that the existing two sections of her planned novel sequence, "Suite Française", would be rediscovered and hailed as a masterpiece.

This, a present from my mum, sounds like an incredible story. My novel is the translation of the original French publication and I can't wait to read it. I'll have to read into the author's own story a bit more too as even that sounds like an amazing, if heart-wrenching story.

So, those are my four Christmas novels. Maybe some of you out there could help me decide what to read first, and, if you've read any of them already, let me know what you think. Hopefully, I'll have a few reviews on the way soon.

Have a happy Christmas and best wishes for the new year.

Saturday, 21 July 2007

Mission Accomplished

Birdsong - Sebastian Faulks

Yesterday afternoon, after much determination, I finally finished reading Birdsong written by Sebastian Faulks. I will assume that many of you have heard of the novel, first published in 1993, or at least of the author as he recently attempted a Bond novel. However, if you haven't heard of Birdsong, here's why it's worth your undivided attention.

First I must confess that the main reason for my reading of this book is because it is part of my A level syllabus and soon I will have to pick it apart and analyse it for coursework. However, I was determined to finish reading it beforehand. I have succeeded, and I can easily admit that the novel is one of the best I have ever read.

Written to reveal the horrors of the First World War on the Western Front, it appears to hold nothing back. If as a reader you like honesty and belief from your authors, then Sebastian Faulks is the man for you. From vivid sex scenes to the vile retrieval of rotten bodies from the battlefield, every sentence, every metaphor, every simile is guaranteed to evoke images previously unimaginable. Some made me feel physically sick, others made me read on in awe, but despite the unpleasant imagery, I didn't want it to end.

The book is well structured; the beginning, set in France, 1910, is designed to prepare the reader for war. Not only does Faulks use clever word association ('battle', 'invade', 'innocent') to subtly convey the idea that war is inevitable, but he also uses nature to describe stagnant, decaying natural scenes, similar to those of the trenches. However, despite his descriptions of peacetime locations being similar to those of the war, there is a clear difference in humanity in pre-war France. The characters live in a well-run, respected, upper class town house, exposed to luxuries such as the choice of "at least a dozen meats". Compared with the then sparsely fed soldiers, forced to live in filth with only the comfort of another man's body to sleep upon, the contrast is severe, enhancing the horrible situations of those involved in war.

The novel follows Stephen Wraysford's journey through war, from 1910 eventually revealing his life up until his death. He is a strange, solitary character, who seems indifferent to emotion. For this reason, his encounters with death, fear, lust and loneliness allow you to imagine how you would feel, had you ever been unlucky enough to be put in Stephen's situations. He is an ordinary character with a disrupted background, yet he almost always appears controlled and secure. His self-control is challenged by the effects of the war and it is interesting to see how the war affected people of all natures through Faulks' characters.

As well as a view on pre-war France and life during the war, Faulks also sets part of his novel in the 1970's, following the life of Stephen's grand-daughter. At first, these sections of the book seemed unnecessary to me, however, it soon becomes clear that the author wants us to see the post-war affects on some people. Through Elizabeth (the grand-daughter) we re-visit some of the British soldiers that Stephen fought alongside, only to discover that, sixty years on, the war hasn't left them. It is a slightly shocking view on the length of devastation the war caused.

If I have any criticism of this book, it is Stephen's final battle of the war. It is not a physical battle, but a battle with life and death. In this final chapter it is clear that the author was faced with two choices; convey the reality of the duration of his task in a believable way and let the character die, or try and convince the readers of the reality and let the character live. Inevitably, from the modern sections of the book, the character lives. Therefore, there are elements of Stephen's battle that become unbelievable, particularly how he manages to live without food or water for around a week having already been suffering from exhaustion, a damaged arm and other psychological effects of the war. Nevertheless, the final chapter is exciting, thrilling and satisfying and I went back and read it again because I couldn't bear for it to finish.

Finally, this novel has been credited by many critics and is obviously a suitable book for A level study. However, I think this book is best enjoyed without having to read into too much depth. So, if you enjoy historical fiction, particularly the type close to the truth, then it is well worth reading Birdsong. It is easy to lose yourself in Faulks' imagery, and I was deeply moved by what was conveyed to me. I grew to love and hate the uncomfortable, unfortunate characters and was horrified in knowing that their lives in war were absolute reality for some men. Now, with no first hand experience of either of the World Wars, I hope nothing so horrendous hits European soil again.

Please comment if you have anything to add to this review of 'Birdsong'.