The feel good power of the 70s

Cemetery Junction (2010)

Directed by Ricky Gervais and Stephen Merchant

The scene is 1970s Reading, where three young men must face the (not so grim) reality of growing up. Bruce (Tom Hughes), bitter about his family and embracing youth, occasionally clashes with the more ambitious Freddie (Christian Cooke) whilst the kooky Snork (Jack Doolan) completes the young trio in this brilliant coming-of-age drama. Mixing comedy with the frustration of being stuck in a dead-end society, this is the ultimate feel-good film of 2010.

When Freddie tries to break away from the factory trade, he takes up a job as a life insurance salesman under the guidance of Mike Ramsay (Matthew Goode). His feelings towards the job are complicated by his moral principles as well as his love for the boss's daughter (incidentally Mike's fiancee). Best friend Bruce vents his frustrations at his parents' divorce with girls, booze and fighting, which sees him hurting himself and those around him. Together with Snork, the pair are polar-opposites but gel well to create a great comic duo with the funniest lines of the film.

The snappy, dry and hilarious dialogue has an obvious Gervais/Merchant flair, but (and speaking as no fan of Ricky Gervais) it comes alive through the young actors in a way that distracts from its well-known writers to embody its own wittiness and humour. Together with a great 70s soundtrack, this film gets the idealistic image of youth just right - it is touching and human, managing to ditch the cheesy element that some coming-of-age dramas just can't shake. Filled with fabulous moments of cringe-worthy mistakes, frustrating silences and heart-warming friendships, this movie creates a bit of nostalgia for the youth we sometimes leave behind.

As far as the 70s culture goes, Gervais and Merchant only scrape the surface of what life was like back then. The backdrop is clear enough with casual racism a common occurrence in the company of Freddie's family and the social expectations of 'get married, buy a house and have kids' at the forefront of the young minds. Although it doesn't go any further than this it doesn't have to. More poignant moments come at the insurance company's work party, which paints a heart-breaking image of unrewarded old age, snippets of stale youth and the dead-end world of an almost forgotten wife. Ralph Fiennes shines here as Mr Kendrick, boss of the insurance firm and ultimate slimy, ungrateful wotsit.

Gervais and Merchant have their on screen moments - Gervais as Freddie's factory-working father and Merchant as another employee of the Kendrick insurance firm. Both are funny in their small roles without stealing the limelight from the three main actors.

There is a definite carpe diem feel to this film that will make you leave the cinema wanting to drop everything and do something. Full of heart-breaking and heart-warming moments that will make you want to laugh and cry, this movie hits all the right notes when it comes to coming-of-age drama. With exceptionally likeable characters, a predictable but well-written narrative and more male eye-candy than you can shake a stick at (I promise girls, they are perfection) this refreshing comedy can and will be enjoyed by everyone.

Please comment if you have anything to add to this review of 'Cemetery Junction'.

And that's why I love warm weather...

The shorts are out, the sunnies are on and everyone's just feeling generally jolly!

After those long, dreary (and snowy) winter months the sun is definitely more welcome than it's been in a long time... well, probably since last summer! But I just thought I'd blog my own personal appreciation to that big flaming ball in the sky. And, with the days feeling a bit warmer it's inspired me to grab life by the haunchbones (revising medieval literature permits me the odd archaic expression) and go for everything that's chucked at me.

So... in the last 5 days I've pretty much maxed out my overdraft and signed off every last penny of my student loan to a kick-ass summer. I now have an officially awesome reason to get through my exams - South Africa! 3 weeks in September will see me travelling across the country with my housemate taking us from Johannesburg to Durban and hopefully even Cape Town - that means my friend has plenty of travelling hours in which to trick/convince me into doing something life-threatening. On the agenda so far is bungee-jumping, swimming with sharks (er.. no thank you!) and deep-sea diving.

Ok, so maybe I don't want to grab everything by the haunchbones - but that's only because it carries the risk of being either mauled or splattered across a rock 100ft below me.

But it will be my last student summer and I want it to be a belter, so I fully intend to have fun. A lot. Plus, I saw the movie Cemetery Junction last night and there is no better inspiration for travelling (stayed tuned for the review). Brace yourself world, the warm weather's gone to my head and the fun times begin today.

Right, I'm off to do a Step, Butts and Guts class and then to watch the final leaders' debate in the pub. Mmmm... politics and beer.

Almost Wonderful Wonderland

Alice in Wonderland (2010)

Directed by Tim Burton

Tim Burton's latest project sees the now 19-year-old Alice returning to Wonderland to fulfil her dreamy destiny and defeat the Red Queen. In true Burton style, it is weird, wacky and wonderful, full of imaginative treats to satisfy any fan. This film was set to be a hit with its star-studded cast and much-loved director, as well as being one of the many 3D movies now hitting our screens - however, for all it's CGI beauty and wonderful performances, I couldn't help but feel a bit let down by this one.

Based on the books by Lewis Carroll, the plot is simplistic and can be summed up pretty swiftly. Grown up Alice runs from a marriage proposal put to her by a weirdo aristocrat. She follows the White Rabbit (again), falls into Wonderland/Underland (again) and walks around meeting more familiar faces until she takes up her role as 'Champion' to defeat the Jabberwocky. The plot is also what makes the film feel just average - where it captures Carroll's visual imagination, it lacks his wacky story-telling. There's nothing spectacularly unique about Burton's version of the story, we always know where it's going and it seems that this film is just a showcase of talented acting and clever design.

That said, the acting is worth showcasing. Helena Bonham Carter is stunning as the spoilt Red Queen, her digitally bulbous head making her fantastically and weirdly frightening. Anne Hathaway is equally as charming as Bonham Carter's counterpart, the White Queen, bringing a bit of humour to this otherwise 'oh so nice' character. There is obviously the fabulous Johnny Depp to keep us entertained as always, the perfect image of the Mad Hatter (though there are many similarities with Pirates of the Caribbean's Jack Sparrow). The recognisably wise voices of Alan Rickman and Stephen Fry complete the picture and their familiarity and talent alone is enough to make you want to love this film.

But there's just something about it that makes the whole movie feel a bit stop-start. Rather than following Alice, we seem to jump from famous face to famous face and enjoy them each a little bit at a time. The ending is nothing spectacular and everything about the film that is to be commended was inevitably going to be so. Although you can't knock the talent behind such a film (the CGI is seamless and creates some fantastic visuals) perhaps it's time Tim Burton challenged himself by making something a bit more fresh-faced... you know.. with a few fresh faces.

Of course, this Disney picture makes for some good family viewing with a series of goodies and baddies to entertain. Nevertheless, a poor script and often a lack of excitement plague the film as a whole. Three stars makes this movie worth watching, but you could afford to wait for the DVD. Whether 3D or 2D, this film remains the same - and that is simply average. It will satisfy the fans of Burton's unique creativity but it just needs a little bit more story-telling 'umph' to make it a great film.

Please comment if you have anything to add to this review of 'Alice in Wonderland'.

No ordinary superhero, no ordinary movie

Kick-Ass (2010)

Directed by Matthew Vaughn

With the hype surrounding Kick-Ass, I had pretty high expectations of this ‘comic-book movie with a difference’ – an ordinary boy taking on the world in a wetsuit, Nicholas Cage in a comedy and a young girl that has no qualms with bad-ass murder and the ‘C’ word had better be entertaining. Safe to say, I was not disappointed.

As teenage vigilante Dave Lizewski (Aaron Johnson) tries to tackle the bad guys, fighting crime and teenage desire all in one day, he ends up getting caught in a vendetta that takes his superhero-ing way outside of his normal business hours.

Kick-Ass follows Dave, who is, as he explains, not the funny one, not the geeky one, not the popular one, but in the usual high-school style, completely invisible to girls. He wonders why anyone who hasn’t been bitten by something radioactive or fallen from space has never tried to become a superhero. So, he orders a nice green and yellow lycra number from the Internet and goes out in search of some crime.

Now, as we all know, no one has ever tried to become a superhero because a) it’s dangerous and b) it’s hard. So after a run in with some proper violence (a knife and a car to be precise) Dave returns with metal plates and damaged nerve endings to become the Kick-Ass that actually kicks ass – well, sort of.

No review of this movie would be complete without a mention of Hit-Girl (Chloe Moretz) and Big Daddy (Nicholas Cage). The father-daughter duo are responsible for the best scenes of the film for both dialogue and the infamous violence. Big Daddy is out to avenge his wife’s death by destroying the corporation of Frank D’Amico (Mark Strong) and killing everyone that is a part of it. He has trained up his 11-year-old daughter, Mindy, to become Hit-Girl and together they wreak havoc on the biggest villain of the town. Foul-mouthed Hit-Girl is a great on screen presence with stunning comic timing, insane talent with a knife and two of the best killing sequences of the film, one of which is done in strobe lighting and is, in every way, the meaning of ‘cool’.

This movie is obviously conscious of the comic-book films and superheroes that have gone before it – Big Daddy, is practically Batman remodelled and Dave’s metal plates are clearly a nod towards Wolverine. But that doesn’t make it bad. Vaughn sticks these references in to good effect, reminding us of all the great superheroes that we love and just how weedy, yet so heroic, Dave’s Kick-Ass really is.

The second half of the film definitely rules over the first, which sometimes feels a little slow – but that’s not to say that the build up is boring. There are some great comedy moments between Dave and his friends, and remarks from Hit-Girl are even funnier. Plus, it wouldn’t be a comic-book movie without the romance, and so the story occasionally abandons Kick-Ass to follow Dave and his dream girl, who, believing he is gay, allows him to do things that he could previously only dream of. So, despite the awesomeness of Hit-Girl and Big Daddy, Vaughn ensures you always want to follow Kick-Ass by reminding us that he’s just ordinary – a standard hero, fighting crime, but always home in time to get a good eight hours before school.

This film is awesome, insane and offers moments to make you wince with stunning and stylish violence that (unlike as some people would have you believe) doesn’t make you want to pick up your mum’s bread knife and start throwing at people. Sleek and cool but with that element of the real that other superhero movies lack, this is one to see.

(4 Stars)

Please comment if you have anything to add to this review of 'Kick-Ass'

Nothing to Declare - Except a Great Film...

Up in the Air
Directed by Jason Reitman, 2010.

From the director of the much loved, Juno, comes Jason Reitman's next popular project, Up in the Air. Featuring the suave George Clooney alongside Anna Kendrick and Vera Farmiga, this story of life with no baggage, emotional or otherwise, is a telling view of a modern world where 'moving is living' and staying grounded just isn't an option.

Ryan Bingham (Clooney) is a corporate downsizer, ie. he fires people for a living. He spends 99% of his time in the air and on the road, carrying all he needs in one small, wheeled suitcase. He has no friends, his family have seemingly given up hope of seeing and contacting him and the executive lifestyle of every travel and accommodation loyalty programme is all Ryan needs. However, when new technology and a high-flying, rising star of the corporate downsizing world threaten that perfect lifestyle, Bingham is forced to confront what life might be like on the ground.

This film is a gem of entertainment, with excellent acting to suit a brilliant script alongside the quick cuts and slick directing of Reitman. The witty dialogue between the characters provides a smooth ride through this realistic setting and the humour that is undoubtedly needed to balance the bleak reality of Bingham's lifestyle.

Ryan is clearly a character made for Clooney - only he could convince us that the itinerant life of a corporate downsizer might be a good one. His good looks and smooth speech create a sympathy for what is ultimately an isolated character. Anna Kendrick also excels as the young Natalie providing a witty counterpart to Bingham. The two characters create the perfect balance between old and young, man and woman, the emotionally attached and the detached. With only a loose storyline actually driving the film forwards, it is these two, as well as Farmiga as Alex, that keep us watching on, waiting to see how their lives pan out in relation to one another.

Cinematically, this film is beautiful - a great soundtrack mixed with well-edited shots that highlight Bingham's corporate lifestyle come together for some great viewing. The acting can't be faulted, and with some great cameos interspersed, you'll be hooked on the dialogue alone. The love story is unconventional and the storyline feels like a snippet of reality rather than the traditional beginning, middle and end - but this doesn't mean a bad movie. Up In the Air will leave you thinking about what is important in life and contemplating whether those things that 'tie you down' are really keeping you grounded - ultimately, it'll leave you with that cliched 'fuzzy feeling' that you've just watched something different, something great and something cinematically fresh.

Please comment if you have anything to add to this review of 'Up in the Air'.

Re-Building Broken Britain with Broken Hearts

Small Island - Andrea Levy

Award-winning novel, Small Island, is the moving tale of the black and white divide between people in England shortly after World War II. Following four characters, two Jamaican, two English, Levy explores the effects of the war, the disillusionment of those seeking a better life in Britain and the difficulties of love and prejudice.

Recently made into a BBC TV series, Small Island has recently received a new lease of life. The novel was critically acclaimed upon its initial release, but the popularity of TV has allowed people to rediscover this wonderful book.

Split into chapters told from the point of view of the four main characters, reading about their hopes, fears and darkest secrets alligns you strangely with none of them. You learn to love them as you share their experiences but you also can't help but dislike a little aspect of each one of them; one's stubborness, another's grumpiness and some pretentiousness force you to look at what is surrounding these characters. Levy looks at the difficulties post-war Britain faced as it simultaneously tried to rebuild itself as well accepting the new arrivals from overseas.

Nevertheless, this book feels far from preachy as it is not entirely focused on racism. The most striking element of the novel is not just the difficulty that people of different races had with loving and liking each other, Levy also looks at the problems that men and women must overcome in order to love one another. The two women of the story, Hortense from Jamaica and Queenie from England make tough, selfish and selfless decisions throughout their lives and still struggle to live with the men they marry. Yet, despite appearances, their ability to love links these two incredibly different women forever in a way they can never realise.

It is Levy's ability to divulge the characters' secrets to her readers, but not to the other characters themselves that makes this the beautiful story that it is. Sometimes you feel that if everyone told the truth, everything would become clearer and more simple - of course, life is rarely that easy. This novel is steeped in reality and the author subtly proves that bigger issues, as well as pure human nature, sometimes get in the way of the truth. Social obligations mould these characters whether they fight against them or not and it is the truth about post-war society that is really revealed in this book.

Possibly the best thing about Small Island is the unexpected ending. It is a moving and compassionate tale that ends with the same hard-hitting reality that the entire novel provides. The book is full of small surprises but the last is the best and it draws the story neatly together as Hortense, Queenie, Bernard and Gilbert are brought together in a final climax. It is difficult to describe suchly a deeply detailed book without spoiling some of its beauty - all that can be said is that everyone should pick this one up and experience humanity at both its best and its worst.

Please comment if you have anything to add to this review of 'Small Island'.

Souped Up Superheroes Don't Have to Be Such a Bad Thing

Sherlock Holmes

Directed by Guy Ritchie, 2009.

So Arthur Conan Doyle's hero has been re-made and put on the big screen once again - but has this modern, mad and quick-witted detective got a bit carried away, getting too close to the Bond and Batman scene?

Sherlock Holmes' (Robert Downey Jr) latest adventure sees him and his pal Dr Watson (Jude Law) facing the lecherous Lord Blackwood (Mark Strong) who uses apparent supernatural powers to spark fear and panic in the Victorian British public. Holmes' powers of logical deduction take him right across the murky depths of London, battling a French brute, chasing a ginger dwarf and trying to resist the temptation that is Irene Adler (Rachel McAdams).

I for one think that the central partnership is one of the best of recent years. A notoriously wooden Law unexpectedly steps up brilliantly as the dashing and reliable Watson to contrast with the madly intelligent attitude that comes with Downey Jr as Holmes. The two fit together like two pieces of a puzzle bickering in the way old friends do but nevertheless unfailing in their friendship. It's also nice to see an intelligent, controlled Watson rather than a dithering fool who seemingly can't grasp Holmes' brilliant ways.

However, there is the inescapable Ritchie flair about the movie, with a similar folky score, slow-motion explosions and bare-chested brawls that have become this director's signature. Surprisingly, not all of it seems out of place. The intensity of Watson's close shaves, and Sherlock's sticky situations keeps the pace of this film, which is ultimately an introduction to further films.

Hans Zimmer's score was also a highlight of the film. A perfect mix of scratchy violins and honky-tonk piano to match Sherlock's quirky disposition as well as the mucky underworld of the Victorian setting. It made the action more gripping as well as creating a unique sound for this unique Sherlock.

The film is long, but definitely doesn't feel it, and yet there is plenty of room for further development both with character and plot. Downey Jr brings fun and excitement to Sherlock's character and Law provides a brilliant counterpart, but the female aspect of the film is weaker. Irene Adler remains an ambiguous character and her relationship with Holmes is unclear, but she adds another dimension to the detective that will be better developed in the movies to come.

Overall, this film is a must-see. So it's a souped-up version of the original detective, but that does not make it a bad movie. It's exciting, visually entertaining and shows an impressive cast at their best. It might have the Ritchie flair, but it has all the qualities of a Hollywood blockbuster too - I'd happily count the Victorian detective amongst some of our most exciting superheroes, even if there isn't anything superhuman about him. Ultimately, he's brilliant, and really that's all that counts.

Please comment if you have anything to add to this review of 'Sherlock Holmes'.