Review of '127 Hours': The most fun you can have with your clothes on

127 Hours (2010)

Directed by Danny Boyle

Starring James Franco, Amber Tamblyn, Kate Mara

Intense, gripping and just downright exciting - 127 Hours is the latest big screen venture by Danny Boyle, our much-loved, award-winning and cherished British director. Based on Between a Rock and a Hard Place, the biographical writings of American, Aron Ralston, this movie attempts to capture the horror of Ralston's famous accident. A keen mountaineer and general adrenaline junkie, Aron (James Franco) heads off to the Bluejohn Canyon on a typical adventure weekend. After a sudden fall, his arm becomes lodged beneath a boulder and Ralston has to fight for escape. Over 5 days Aron has to resist 'losing it' - rapidly running out of food, water and motivation this man has to rely on his lust for life to survive the terrifying ordeal. Oh, and he cuts off his own arm.

The opening of this film is brilliant. A Free Blood track explodes onto the screen with the vivacity and energy of Ralston's own character. The screen buzzes with modern city scenes, inescapable busyness - all the better for highlighting Aron's solitude, my dear, and the vast, awesome expanse of uninhabited canyon land that our man will eventually find himself trapped in. Lovely set up. We're kept on edge waiting for the crucial boulder moment - he trips, he slips but it's a little while before the fatal moment comes.

Franco's performance is incredible. It's one thing to have to hold a film almost entirely on your own, it's another to do that whilst you're stuck in a canyon with only one arm free. Aron's video camera allows him to revisit the regrets of his past, leaving tributes to the friends and family that he becomes prepared to leave behind. Franco beautifully delivers the frustration and desperation of Ralston's character - even though he is trapped, he is electrifying to watch. Ralston himself said in an interview, 'we have these very fundamental desires for freedom, for love and for connection. And that's what got me out.' And it's those fundamental desires that are impeccably communicated by James Franco.

Of course, we have to mention the fantastic show that is Ralston amputating his own arm. The pain and the determination are accompanied by an incredible score by A. R. Rahman that make it unsettling but not gruesome to watch. While you might find the uncontrollable urge to look away, you probably won't. We're with Ralston to the end, that means seeing the whole thing through - even if it makes you feel a little queasy.

I love this movie and it's a shame that Franco and Boyle have to live in the spectacular shadow of The King's Speech. Don't get me wrong, I loved Tom Hooper's movie as much as the next man, and I certainly harbor a more than unhealthy love for Colin Firth. However, I find myself sitting in Camp Franco for the Lead Actor Oscar and hope the film scoops some recognition at the awards. If you haven't seen this film already and you're looking for a thrill (well, the closest you can come without endangering your own right arm) then make a date with 127 Hours.

Please comment if you have anything to add to this review of '127 Hours'.